SVA wants to train illustrators to not only be adept at the physical craft but also be expert interpreters and communicators.
- Successful illustrators must think, feel and illuminate, whether it's their own narrative or someone else’s
- SVA teaches both the physical craft of illustration and the ability to understand a text and interpret it
- Students will develop a facility with brush, color, line, form, pastel, pen and ink
Request information at email@example.com to learn more about the undergraduate illustration school at SVA.
A clever style was once thought to be the calling card for the professional illustrator. But in an age where images and artworks abound, visual artists must do more than deliver slick gimmicks—they must develop a real sensibility and create work that transcends trends. At SVA, we believe that an illustrator’s career can be as limitless as his or her imagination. We always encourage ambitious thinking—the innovator, not the imitator.
We not only inspire and encourage a student’s imagination, but also teach the art of interpretation: the ability to carefully read and cross-reference texts, research visual styles, and conceptualize and produce significant bodies of work. With our junior thesis and senior portfolio curriculum, our students develop sophisticated and complete oeuvres, unlike the “patch-work portfolios” produced by many other art schools, which consist of students’ scattered responses to a variety of assignments, and don’t especially reveal their true personalities.
Maybe it’s our commitment to unleashing those personalities that accounts for our student’s success in the illustration world—and why our students have landed, while they’ve been students, significant assignments for The New Yorker, The New York Press, Mad Magazine, and The Village Voice. Not a big surprise when you consider that our instructors tend to make their own waves. Whether it’s Stephen Savage, illustrator of The New York Times bestseller Polar Bear Night; or Jonathon Rosen, whose talents were evident to millions in Tim Burton’s and Johnny Depp’s blockbuster film Sleepy Hollow; whether it’s the faculty who’ve created award-winning magazines, book covers, posters, CD packages, opera sets, product designs, toys, US postage stamps, wallpaper for Prada décor, Van’s footwear, ad campaigns, book bags, lighters, compasses and t-shirts—we’re positioned to connect our students to the most lucrative illustration opportunities in the industry.
Frequent winners of the highest awards at the Society of Ilustrators, American Ilustration, and many other industry-based student competitions, our students tend to cash in on those opportunities once they complete the program. Our graduates continue to change the way we see the world, and it is everywhere: at your local newsstand, on your wide screen TV, in your local library, at the comic convention, on the back of your t-shirt, and yes, even that design inked on your bicep. It is all illustration, and it all tells a story. SVA is proud to produce some of the greatest image-makers on the planet!
Friday, November 1, 2013
Current BFA Cartooning student Hazel Newlevant recently received the 2013 Prism Comics Queer Press Grant for If This be Sin and Dance the Blues, two comics that she’s created while at SVA.
Tuesday, October 29, 2013
Thursday, April 18, 2013
Seven members of the SVA community were recently named 2013 Josh Simon Guggenheim Fellows in the Creative Arts. Often characterized as “midcareer” awards, Guggenheim Fellowships are...