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Access to the Sculpture Center outside of class hours is available for students enrolled in sculpture courses, unless otherwise indicated. Please see individual course descriptions for specifics. The Sculpture Department has an onsite store where students can purchase materials, including wood, plaster, metal and glazes.

 

Exploring Multimedia

Course Details
  • Course Number FIC-2248-A
  • Day(s) T
  • Dates Jun 04 - Aug 06
  • Hours 06:00PM - 09:30PM
  • Ceus 3.50
  • Cost 395.00
  • Additional Fees 0.00
  • Status Open
  • Location 133/141 West 21st Street

Description

This course is designed to strengthen and expand your art-making skills and ideas through a creative exploration of traditional and unconventional materials. We will focus on the endless possibilities of combining such materials and mediums as film, rubbish, household goods, writing and photographs with painting, drawing and sculpture. Sound, gravity and magnetism can also be incorporated into projects. Broad suggested assignments are given to kick-start your thinking. Experimentation and failure are encouraged. Through group and individual critiques we will examine the universal and personal signification of the materials, how those can change in combination and how they can help define your interests and form a unique voice. We will also look at the ways collage, assemblage and installation have developed to expand your critical vocabulary and give you a sense of where your work fits in this history. This course is appropriate for all ranges of experience, from beginners to advanced students.
NOTE: Please bring notepaper and five objects selected at random to the first session. Access to the SVA Sculpture Center is not included.

Instructor

Shirley Irons

Fine artist

Education:

BFA, Parsons School of Design

One-person exhibitions include:

Queens Museum of Art; Luisotti Gallery, Santa Monica; Temple University, Philadelphia; White Columns; Postmasters Gallery; Staniar Gallery, Washington and Lee University, Lexington, VA

Group exhibitions include:

B 4 A Gallery; Richard Anderson Gallery; Thread Waxing Space; Hunter College; Patrick Callery; The Clocktower; Simon Watson Gallery; Murray Guy; Four Walls; McDonough Museum of Art, Youngstown State University, OH; Islip Art Museum, NY; Caren Golden Fine Art; MoMA PS1

Publications include:

Bomb, Acme, Blast, The New Yorker, Art Monthly, Time Out New York, Flash Art, Los Angeles Times, The New York Times, The Village Voice

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Sculpture

Course Details
  • Course Number FSC-1050-CE
  • Day(s) T
  • Dates Jun 04 - Aug 13
  • Hours 06:00PM - 09:45PM
  • Ceus 4.50
  • Cost 470.00
  • Additional Fees 200.00
  • Status Open
  • Location 335 West 16th Street

Description

This course is designed for students of all levels who wish to explore the many facilities available in the SVA Sculpture Center. Combining various mediums, students will experiment in interdisciplinary studies and will be encouraged to critically examine how emerging technologies alter the landscape of making art. We will go over basic skills in wood construction and mold-making (plaster). This course will include slide presentations of artwork from many disciplines.
NOTE: In addition to the 11 in-class sessions, a field trip will be scheduled at the beginning of the semester. The studio fee includes safety equipment, hand tools, drill bits, saw blades, abrasives, compressed air, lubricants, wood glue and access to the wood, plaster, ceramic and metal workshops outside of class time, based on facility availability. All other materials must be purchased by the student. This course may be taken for undergraduate credit. Please refer to FSD-1050-CE in the credit courses section of this website for details.

Instructor

Nicolas Touron

Sculptor, ceramist

Education:

BA, Gerrit Rietveld Academie; MFA, School of Visual Arts

One-person exhibitions include:

Virgil de Voldère Gallery; Galerie Bugdahn und Kaimer, Düsseldorf

Group exhibitions include:

Josée Bienvenu Gallery; Galleria Rizziero Arte, Pescara, Italy; Tropen Museum, Amsterdam; NADA Miami Art Fair; Kunstraume auf Zeit, Linz; Kunsthal, Rotterdam

Publications include:

The New York Times, New York magazine

Award:

Fulbright Fellowship

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Ceramics

Course Details
  • Course Number FSC-2046-A
  • Day(s) TH
  • Dates Jun 06 - Aug 15
  • Hours 06:30PM - 09:30PM
  • Ceus 3.00
  • Cost 395.00
  • Additional Fees 200.00
  • Status Canceled
  • Location 335 West 16th Street

Description

Students will learn practical hand-building techniques and skills on the wheel. Pinch pots, coil building and slabs will be demonstrated. Wheel work will follow. Wedging, centering, opening and pulling will be practiced. Combining hand building and throwing techniques to create new forms, students can focus on developing a personal style. Slip application, sgraffito and inlay, glazing and resist techniques will also be covered. A survey of the history of ceramics will be included.
NOTE: The studio fee includes safety equipment, hand tools,kiln use and access to the ceramics workshop outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Yuko Suzuki

Fine artist; sculptor; assistant director, ISE Cultural Foundation

Education:

BFA, School of Visual Arts

Exhibitions include:

The Phatory LLC; Lumenhouse; Real Art Ways, Hartford, CT; Marvelli Gallery; The Body Archive Gallery; Goliath Visual Space

Publications include:

The New York Times, Ceramics Monthly, bushwickbk.com, designboom.com

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Contemporary Ceramic Sculpture

Course Details
  • Course Number FSC-2107-A
  • Day(s) W
  • Dates Jun 05 - Aug 14
  • Hours 06:00PM - 09:30PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 200.00
  • Status Closed
  • Location 335 West 16th Street

Description

In this course, students will produce contemporary sculptural works with clay. Stepping away from the traditional hand building and wheel methods, this course will use mold-making and cast ceramics as the primary techniques. Additionally, students can explore alternative mediums such as silicone and found objects. Students will work on individual projects tailored to their interests and experience. Critiques will be an integral part of the course. Throughout, students will be encouraged to develop new approaches to their work. Lectures and slide presentations on contemporary ceramic art and artists will be included.
NOTE: The studio fee includes safety equipment, hand tools, kiln use and access to the ceramics workshop outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Nicolas Touron

Sculptor, ceramist

Education:

BA, Gerrit Rietveld Academie; MFA, School of Visual Arts

One-person exhibitions include:

Virgil de Voldère Gallery; Galerie Bugdahn und Kaimer, Düsseldorf

Group exhibitions include:

Josée Bienvenu Gallery; Galleria Rizziero Arte, Pescara, Italy; Tropen Museum, Amsterdam; NADA Miami Art Fair; Kunstraume auf Zeit, Linz; Kunsthal, Rotterdam

Publications include:

The New York Times, New York magazine

Award:

Fulbright Fellowship

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Figurative Sculpture

Course Details
  • Course Number FSC-2112-A
  • Day(s) T
  • Dates Jun 04 - Jul 30
  • Hours 01:00PM - 05:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 200.00
  • Status Canceled
  • Location 335 West 16th Street

Description

This course begins by understanding the anatomical structure and proportions of the human figure. Through a series of organized and progressive lessons you will use structure, proportion and gesture to create a naturalistic figurative sculpture. Working from a live model, you will create two studies and one more fully developed half life-size figure. You will have the choice to either cast your sculpture in plaster using a waste (one-time use mold) or silicone mold (reusable). How to translate and express the vitality of the living form in your work will be addressed. This course is suitable for beginning to advance levels.
NOTE: The studio fee includes safety equipment, hand tools and access to the ceramics workshop outside of class time, based on facility availability. Please bring a figure armature (24"), a bag of grey water-based clay (25 lb.), wooden clay modeling tools (bring what you have, some tools will be available in class for you to try out), a spackle knife (3"), a plastic bag from a dry cleaner and a hand-held mirror (approximately 4x6", optional) to the first session. Other materials needed will be discussed in class.

Instructor

Lori Shorin

Sculptor

Education:

BFA, SUNY Binghamton; MFA, University of Pennsylvania; Certificate, Florence Academy of Art

Represented by:

M Gallery of Fine Art, Charleston, SC; Galerie Michael, Beverly Hills, CA

One-person exhibitions include:

Montserrat College of Art, Beverly, MA; Mariposa Museum, Peterborough, NH; Vault Gallery, New Hampshire Institute of Art, Manchester

Group exhibitions include:

Royal Gallery, Providence, RI; Florence Academy of Art, Italy; Villa Palmerino, Florence; Islip Art Museum, NY; Essex Art Center, Lawrence, MA

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Metal Sculpture

Course Details
  • Course Number FSC-2274-A
  • Day(s) M
  • Dates Jun 03 - Aug 05
  • Hours 06:00PM - 09:30PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 200.00
  • Status Wait List
  • Location 335 West 16th Street

Description

This course covers a broad range of metalworking processes, enabling beginning and more advanced students to discover the enigmatic qualities of metal. Instruction will be given in shop safety; hand and power tools; MIG, Arc and TIG welding; plasma cutting and sheet metal forming. Following a guided first project, students will develop independent projects to synergize learned skills with their own sculptural methods, concepts and sensibilities. No previous sculpture or metal experience is required.
NOTE: The studio fee includes safety equipment, hand tools, welding gases, welding rods, drill bits, saw blades, abrasives, compressed air, lubricants, wood glue and access to the metal workshop outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Marsha Trattner

Sculptor

Education:

BA, Colgate University; MFA, Rhode Island School of Design

One-person exhibitions include:

Colgate University, Hamilton, NY; A.I.R. Gallery

Group exhibitions include:

Pelham Art Center, NY; J. Lucas Gallery, Provincetown, MA; Artists Space; Exit Art; Sculpture Center; Munson-Williams-Proctor Museum of Art, Utica, NY

Public sculpture installations include:

Socrates Sculpture Park; Crames Square, Hunts Point; Franconia Sculpture Park, MN; Sacred Heart University, Fairfield, CT; Empire-Fulton Ferry State Park

Publications include:

The New York Times, New York Post, Provincetown Arts, Home Fashion, Veranda, Metropolitan Home

Awards include:

eBay Foundation, Empire State Crafts Alliance, Sculpture Space

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Transmedia

Course Details
  • Course Number FSC-2279-A
  • Day(s) T
  • Dates Jun 04 - Jul 30
  • Hours 06:30PM - 09:30PM
  • Ceus 2.50
  • Cost 335.00
  • Additional Fees 200.00
  • Status Canceled
  • Location 335 West 16th Street

Description

This course will allow you to really explore and invent by embracing all media, and will encourage anyone who desires a nurturing critical discourse and consciousness of themselves in relation to what is happening in the visual arts today. A fully mixed-media orientation is receptive to all approaches, including students who are primarily painters, photographers or video-makers, performers, among others. The emphasis will be on enabling experimentation with a full range of traditional, unconventional and exotic materials, techniques and ideas: digital fabrication, audio, electricity, fluids, mechanical parts, photomontage, optics, metal, paper, wood. The development of your concepts and personal interests will be strongly supported. Our thinking will be placed in contemporary and historical context through presentations of visual and textual resources: slides, videos, articles, web-based online materials and weekly updates on current exhibitions. Among the many ideas that will be explored are perception, transformation, performance, the body and language, as well as the environmental, political and site-specific in art. This course is perfect for those seeking to renew their creative work and develop a portfolio. Professional resources will be discussed and extensive technical help will be provided. There will be group critiques and individual instruction.
NOTE: The studio fee includes safety equipment, hand tools, welding gases, welding rods, drill bits, saw blades, abrasives, compressed air, lubricants, wood glue and access to the plaster, wood and metal workshops outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Andrew Ginzel

Sculptor, visual artist

Education:

Bennington College, SUNY

One-person exhibitions include:

List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, MA; Wadsworth Atheneum, Hartford, CT; New Museum of Contemporary Art; Kunsthalle, Basel; Frederieke Taylor Gallery; Artists Space; Virginia Museum of Fine Arts, Richmond; Art Galaxy; Damon Brandt Gallery

Commissions include:

Public Art Fund; Creative Time; Merce Cunningham Dance Company; Brooklyn Academy of Music; Kansas City Airport; Tampa Airport; Olympic Arts Festival; Battery Park City Authority; Museo d’Arte Contemporanea, Prato; City of Chicago, General Services Administration; Metro, St. Louis; University of Colorado, Boulder; MTA; New Jersey Transit

Awards and fellowships include:

Pollock-Krasner Foundation; National Endowment for the Arts; New York Foundation for the Arts; Louis Comfort Tiffany Foundation; Indo-American Fellowship; New York State Council on the Arts; Rome Prize Fellowship, American Academy in Rome; Rockefeller Foundation; MacDowell Colony; Yaddo Residency; Ucross Foundation; Dejerassi Foundation

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Creative Blacksmithing

Course Details
  • Course Number FSC-2281-A
  • Day(s) TH
  • Dates Jun 06 - Aug 15
  • Hours 06:00PM - 09:00PM
  • Ceus 3.00
  • Cost 395.00
  • Additional Fees 195.00
  • Status Open
  • Location Studio

Description

An introduction to the ancient art of blacksmithing, this course will use traditional and modern tools to create forged metal objects- functional and sculptural. Students will learn to take an otherwise intractable material like steel and make it malleable and adaptable to their own vision. Topics include: bending, drawing down, hot-cutting, spreading, twisting and braiding, sheet-metal forming, hot-punching and riveting. We will mainly use gas forges, though traditional coal forges will be introduced during the semester. Thorough instruction will be given in oxy-acetylene and oxy-propane torch work-heating, cutting, welding, brazing and silver soldering. MIG and Arc welders are also available.
NOTE: A release will be provided for each student registering for this course. The release must be signed by the student at the beginning of the first session.
This course will be held at 106 Ferris Street, Red Hook, Brooklyn. Access to the SVA Sculpture Center is not included.

Instructor

Marsha Trattner

Sculptor

Education:

BA, Colgate University; MFA, Rhode Island School of Design

One-person exhibitions include:

Colgate University, Hamilton, NY; A.I.R. Gallery

Group exhibitions include:

Pelham Art Center, NY; J. Lucas Gallery, Provincetown, MA; Artists Space; Exit Art; Sculpture Center; Munson-Williams-Proctor Museum of Art, Utica, NY

Public sculpture installations include:

Socrates Sculpture Park; Crames Square, Hunts Point; Franconia Sculpture Park, MN; Sacred Heart University, Fairfield, CT; Empire-Fulton Ferry State Park

Publications include:

The New York Times, New York Post, Provincetown Arts, Home Fashion, Veranda, Metropolitan Home

Awards include:

eBay Foundation, Empire State Crafts Alliance, Sculpture Space

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Creative Blacksmithing II

Course Details
  • Course Number FSC-2282-A
  • Day(s) T
  • Dates Jun 04 - Aug 06
  • Hours 06:00PM - 09:00PM
  • Ceus 3.00
  • Cost 395.00
  • Additional Fees 195.00
  • Status Open
  • Location Studio

Description

A continuation of FSC-2281, Creative Blacksmithing, this course will further explore hot- and cold-forging techniques to bend, shape, cut and join metal pieces into finished projects.
PREREQUISITE: FSC-2274, Metal Sculpture, or FSC-2281, Creative Blacksmithing, or equivalent.
NOTE: A release will be provided for each student registering for this course. The release must be signed by the student at the beginning of the first session.
This course will be held at 106 Ferris Street, Red Hook, Brooklyn. Access to the SVA Sculpture Center is not included.

Instructor

Marsha Trattner

Sculptor

Education:

BA, Colgate University; MFA, Rhode Island School of Design

One-person exhibitions include:

Colgate University, Hamilton, NY; A.I.R. Gallery

Group exhibitions include:

Pelham Art Center, NY; J. Lucas Gallery, Provincetown, MA; Artists Space; Exit Art; Sculpture Center; Munson-Williams-Proctor Museum of Art, Utica, NY

Public sculpture installations include:

Socrates Sculpture Park; Crames Square, Hunts Point; Franconia Sculpture Park, MN; Sacred Heart University, Fairfield, CT; Empire-Fulton Ferry State Park

Publications include:

The New York Times, New York Post, Provincetown Arts, Home Fashion, Veranda, Metropolitan Home

Awards include:

eBay Foundation, Empire State Crafts Alliance, Sculpture Space

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Basic Woodworking

Course Details
  • Course Number FSC-2320-A
  • Day(s) W
  • Dates Jun 05 - Aug 14
  • Hours 06:00PM - 09:30PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 200.00
  • Status Open
  • Location 335 West 16th Street

Description

Designed to introduce students to working with wood, this course will begin with an overview of the general properties of various woods and give a brief history of woodworking. Demonstrations will be given in hand joinery (dovetails), turning with a lathe and hand-tool applications. In addition, techniques in clamping, gluing, sanding and finishing will be addressed. Projects will include creating a lathe-turned object and a small piece of furniture (such as a stool or table). No prior experience is necessary.
NOTE: The studio fee includes safety equipment, hand tools, drill bits, saw blades, abrasives, compressed air, lubricants, wood glue and access to the wood workshop outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

James Murphy

Furniture designer, sculptor

Education:

BFA, SUNY Purchase

Clients include:

Kerf Furniture, M3 Films, The Small Furniture Store, Quinto + Co., 181 Productions Inc., Alice Austen House Museum, Quanteq Engineering, Paris Express Café

Publications include:

Elle Decor, Robb Report, Contract, Elements of Living, Furniture Style, Le Journal de la Maison

Honor:

Interior Design

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Metal Furniture Fabrication

Course Details
  • Course Number FSC-2336-A
  • Day(s) W
  • Dates Jun 05 - Aug 14
  • Hours 06:00PM - 09:30PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 200.00
  • Status Wait List
  • Location 335 West 16th Street

Description

This hands-on course will cover the fundamentals of designing and making metal home furnishings and furniture. Students will learn shop safety and a variety of techniques to cut, bend, form, join (including welding) and finish metals. Individual assistance is given with applying techniques to directed projects of the students' own designs. Students with prior experience in metalworking will work with the instructor to plan independent projects and learn advanced techniques. Past projects have included tables, lamps, mirror frames, shelves, trays, coat racks, candelabras, birdhouses, bowls and planter boxes. The class is open to students of all levels,from those with no experience with art or using tools to working designers who need practical knowledge of the material and how to add structure to their designs.
NOTE: The studio fee includes safety equipment, hand tools, welding gases, welding rods, drill bits, saw blades, abrasives, compressed air, lubricants and access to the metal workshop outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Marsha Trattner

Sculptor

Education:

BA, Colgate University; MFA, Rhode Island School of Design

One-person exhibitions include:

Colgate University, Hamilton, NY; A.I.R. Gallery

Group exhibitions include:

Pelham Art Center, NY; J. Lucas Gallery, Provincetown, MA; Artists Space; Exit Art; Sculpture Center; Munson-Williams-Proctor Museum of Art, Utica, NY

Public sculpture installations include:

Socrates Sculpture Park; Crames Square, Hunts Point; Franconia Sculpture Park, MN; Sacred Heart University, Fairfield, CT; Empire-Fulton Ferry State Park

Publications include:

The New York Times, New York Post, Provincetown Arts, Home Fashion, Veranda, Metropolitan Home

Awards include:

eBay Foundation, Empire State Crafts Alliance, Sculpture Space

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Electro-Mechanical Sculpture

Course Details
  • Course Number FSC-2429-A
  • Day(s) T
  • Dates Jun 04 - Aug 06
  • Hours 06:30PM - 09:30PM
  • Ceus 3.00
  • Cost 395.00
  • Additional Fees 200.00
  • Status Canceled
  • Location 335 West 16th Street

Description

This course is a hands-on exploration into the fundamental working of electro-mechanics. Students will design and create sculptures using electric motors, circuits, gears, belts, cranks, relays, timers, and other found, made or bought components. We will work with materials that include wood, metal, plastic and rubber. Methods, purpose and functionality, as well as how electro-mechanics are used, will be discussed.
NOTE: The studio fee includes safety equipment, hand tools, welding gases, welding rods, drill bits, saw blades, abrasives, compressed air, lubricants and wood glue, as well as access to electronic media workstations and the wood and metal workshops outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Daniel Wapner

Sculptor

Education:

BFA, MFA, School of Visual Arts

Group exhibitions include:

DUMBO Art Festival, ISE Cultural Foundation, Goliath Visual Space, Visual Arts Gallery

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Metalworks Without Welding

Course Details
  • Course Number FSC-2516-A
  • Day(s) W
  • Dates Jun 12 - Jul 24
  • Hours 02:00PM - 05:00PM
  • Ceus 1.50
  • Cost 270.00
  • Additional Fees 165.00
  • Status Canceled
  • Location 335 West 16th Street

Description

Metalworking doesn't have to mean working with sparks and flames. In fact, there are multiple tools and techniques to work with metals that require a range of skills, which involve neither welding or flame work. This course is suited for the beginning student interested in metalworking, or the experienced metal artists who would like to add new techniques to their vocabulary. Several small, individually designed projects will be completed using hand tools (hacksaw, file, punch, stamp, riveter, tap, hammer), small power tools (hand drill, jigsaw, reciprocal saw, sander) and larger equipment (bender, brake, roller, jump shear, CNC machines). The focus will be on using steel; other metals can be used with the instructor's permission.
NOTE: The studio fee includes safety equipment, hand tools, drill bits, saw blades, abrasives, compressed air, lubricants and access to the metal workshop outside of class time, based on facility availability. All other materials must be purchased by the student.

Instructor

Marsha Trattner

Sculptor

Education:

BA, Colgate University; MFA, Rhode Island School of Design

One-person exhibitions include:

Colgate University, Hamilton, NY; A.I.R. Gallery

Group exhibitions include:

Pelham Art Center, NY; J. Lucas Gallery, Provincetown, MA; Artists Space; Exit Art; Sculpture Center; Munson-Williams-Proctor Museum of Art, Utica, NY

Public sculpture installations include:

Socrates Sculpture Park; Crames Square, Hunts Point; Franconia Sculpture Park, MN; Sacred Heart University, Fairfield, CT; Empire-Fulton Ferry State Park

Publications include:

The New York Times, New York Post, Provincetown Arts, Home Fashion, Veranda, Metropolitan Home

Awards include:

eBay Foundation, Empire State Crafts Alliance, Sculpture Space

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Classical Portrait Sculpture

Course Details
  • Course Number FSC-2546-A
  • Day(s) T
  • Dates Jun 04 - Jul 30
  • Hours 06:00PM - 09:00PM
  • Ceus 2.50
  • Cost 335.00
  • Additional Fees 200.00
  • Status Canceled
  • Location 335 West 16th Street

Description

If you have been yearning to learn how to sculpt like the Old Masters, and are willing to devote yourself to a deeply focused study to develop your skills, this course is especially for you. Students will learn the step-by-step classical methods of sculpting techniques. We will begin with the anatomical structure and proportions of the head. Working from a live model, students will create two quick head studies and then a more fully developed life-size portrait bust in water-based clay. Each sculpture can then be cast either in plaster using a waste (one time use mold) or with silicone mold (reusable), or it can be fired in clay. This course is suitable for beginning to advanced levels. Students with previous sculpture experience can develop their sculpture on a more advanced level.
NOTE: The studio fee includes safety equipment, hand tools and access to the ceramics workshop outside of class time, based on facility availability. Please bring a portrait armature, a bag of waterbased clay (25 lb.), wooden clay modeling tools, a plastic bag from a dry cleaner and a hand-held mirror (approximately 4x6", optional) to the first session. Other materials needed will be discussed in class.

Instructor

Lori Shorin

Sculptor

Education:

BFA, SUNY Binghamton; MFA, University of Pennsylvania; Certificate, Florence Academy of Art

Represented by:

M Gallery of Fine Art, Charleston, SC; Galerie Michael, Beverly Hills, CA

One-person exhibitions include:

Montserrat College of Art, Beverly, MA; Mariposa Museum, Peterborough, NH; Vault Gallery, New Hampshire Institute of Art, Manchester

Group exhibitions include:

Royal Gallery, Providence, RI; Florence Academy of Art, Italy; Villa Palmerino, Florence; Islip Art Museum, NY; Essex Art Center, Lawrence, MA

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    Beauty in Danger

    Collaborative short film with artist Brian Alfred, animator MK12, and musician Ian Williams. Beauty In Danger from MK12 on Vimeo.

  • Tuesday, June 4, 2013

    Paperboy

    Paperboy

    Print this By now, you’ve probably heard that Kenneth Goldsmith wants to print the “entire” internet.  He has invited “folks” to contribute by printing anything from the internet, then...

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    Ship Shapes

    Ship Shapes

    New Pier 57 plans At the hip of the new Whitney Museum site and the foot of the High Line is Pier 57, a waterfront landmark built in 1952 and perched on floating, concrete caissons. Youngwoo...

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