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Students registered for printmaking courses have access to the printmaking facilities outside of class hours not conflicting with scheduled classes.

 

Multiple Impressions: Intaligo, Monoprint and Relief Printing

Course Details
  • Course Number FGC-2334-A
  • Day(s) T
  • Dates Jun 11 - Aug 06
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

This course will provide a broad introduction to several printmaking processes. Learn about intaglio techniques by creating drypoints that explore the use of line and a painterly approach. Create unique prints by using additive, subtractive and tracing monoprint methods. In blind embossment and collographs, you will bring sculptural qualities to your prints. The use of line, shape and contrast will be emphasized through work in linoleum and woodcut printing. Important techniques for all printmaking processes, such as chine collé, registration and printing multiple color plates will also be covered. Students will develop their own projects and will be encouraged to create prints combining different techniques to create an engaging portfolio.
NOTE: No previous printmaking experience is necessary.

Instructor

Carlos Pisco

Printmaker; designer; president, eyepop.com

Education:

BS, Instituto Militar de Engenharia

One-person exhibitions include:

Amos Eno Gallery, Mega Fitness, Archive Health and Fitness Center

Group exhibitions include:

isual Arts Gallery; 750 Gallery, Sacramento; Leslie-Lohman Gallery; National Institute of Photography, Rio de Janeiro

Clients include:

Time Inc. New Media, PBS, Mesh Strategies

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The Printed Series: Silkscreen and the Artist's Book

Course Details
  • Course Number FGC-2413-A
  • Day(s) TH
  • Dates Jun 13 - Jul 25
  • Hours 10:00AM - 04:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

This course will explore various ways to present prints as sequential images: artists' books, themed portfolios, comics, even fanzines. We will explore the process from concept to finished and bound multiples. Students will learn methods of making color separations for multicolor prints using both traditional hand-drawn and modern photographic techniques. Bookbinding techniques will be demonstrated, including Japanese binding, accordion folding and signature binding.

Instructor

David Sandlin

Painter, printmaker, cartoonist

Education:

BA, University of Alabama

One-person exhibitions include:

White Columns; Bongoût Galerie, Berlin; Georgia Museum of Fine Arts, Athens; Butler Gallery, Kilkenny, Ireland; Billy Shire Fine Art, Los Angeles; Gracie Mansion Gallery

Publications include:

The Best American Comics of 2009, Swamp Preacher, Alphabetical Ballad of Carnality, Wonderfool World, Hotwire, The Ganzfeld, Blab! Raw, Snake Eyes, The New Yorker, The New York Times

Awards include:

New York Foundation for the Arts, Swann Foundation, Nexus Press, PM Foundation; Lamar Dodd Award, University of Georgia, Athens; Cullman Center, New York Public Library Fellowship

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Lithography

Course Details
  • Course Number FGC-2422-A
  • Day(s) W
  • Dates Jun 12 - Jul 24
  • Hours 10:00AM - 04:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

Lithography is one of the most subtle and direct methods of printmaking. An artist can draw with pencil, crayon or liquid tusche directly on aluminum plates or limestone as well as transfer images from photographs and digital files to photographic plates. Artwork can be printed in black ink or hand-mixed colors. The use of multiple transparent colors can yield rich overlays and complex color notes when the plate is printed. All aspects of proofing and editioning fine art lithographs will be demonstrated in class. A trip to a professional lithography studio will be included.

Instructor

Charles Yoder

Printmaker, painter, writer, curator

Education:

BFA, Pratt Institute


professional experience includes:


Director, Castelli Graphics; project curator, Rauschenberg Overseas Culture Interchange

One-person exhibitions include:

Woodward Gallery; University of Maine, Orono; New Jersey City University; Haenah-Kent Gallery; Texas A&M University, Corpus Christi, TX

Group exhibitions include:

Dada Post, Berlin; Rubin Museum of Art; Guild Hall, East Hampton, NY; Gestaltreform Galerie, Frankfurt; Leo Castelli Gallery; Philadelphia Art Alliance, PA; Hudson River Museum, Yonkers, NY; Salmagundi Club; DFN Gallery; Vose Gallery, Boston; Pera Museum, Istanbul; Silas Marder Gallery, Bridgehampton, NY

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Lithography and Relief Printing Combined

Course Details
  • Course Number FGC-2429-A
  • Day(s) T
  • Dates Jun 11 - Aug 06
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

Using new technologies in printing, such as photo-lithography and photo-polymer plates on the fine-art lithography press will be the focus of this course. We will explore the potential of printing large images for both flat and shallow relief processes in Photoshop and Illustrator. Students will work in a digital lab to create special negative and positive films with the latest technologies. We will then make plates from these films in order to handprint saturated color inks on handmade and oriental papers. The goal is to create a visual merging of traditional and digital technologies and to have tactile output for our computer musings.

Instructor

Judith Solodkin

Printmaker; Tamarind master printer; president, Solo Impression Inc.

Education:

BA, Brooklyn College; MFA, Columbia University

Editions printed for collections include:

Tate Gallery, London; Museum of Modern Art; Whitney Museum of American Art; The Metropolitan Museum of Art; Milwaukee Art Museum; Brooklyn Museum of Art; National Museum of Women in the Arts, Washington, DC; Baltimore Museum of Art; Yale University Art Gallery; Bibliothéque Nationale, Paris

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Silkscreen

Course Details
  • Course Number FGC-2433-A
  • Day(s) T
  • Dates Jun 11 - Aug 06
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description


Silkscreen, one of the most versatile and widely used methods of printmaking, will be fully explored in this course through demonstrations and self-initiated projects. Painters as well as photographers will find a new way of expressing their ideas through screen printing. Images can be made using hand-drawn separations, photographic film, digital separations and photocopied images. Large-scale work and printing on canvas, T-shirts, wood, metal and glass are all possible with silkscreen. Water-based silkscreen ink is used, allowing for soap-and-water cleanup. Large-scale digital output is available.

Instructor

Gunars Prande

Printmaker; director of operations, printmaking, BFA Fine Arts Department, School of Visual Arts

Education:

BFA, MFA, School of Visual Arts; Rochester Institute of Technology

one-person exhibition:

Namba City Museum, Japan

group Exhibitions include:

Pera Museum, Istanbul; Visual Arts Gallery; Galerie Aelier Herenplaats, the Netherlands; New York Society of Etchers; Altos de Chavon, Dominican Republic; Mission Gallery; Bill Rice Gallery; Leo Castelli Graphics Gallery; John Nichols Print Gallery; Bennet Siegal Gallery; Sarah Lawrence College, Bronxville, NY; John Gerstad Gallery

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Silkscreen

Course Details
  • Course Number FGC-2433-B
  • Day(s) W
  • Dates Jun 12 - Aug 14
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description


Silkscreen, one of the most versatile and widely used methods of printmaking, will be fully explored in this course through demonstrations and self-initiated projects. Painters as well as photographers will find a new way of expressing their ideas through screen printing. Images can be made using hand-drawn separations, photographic film, digital separations and photocopied images. Large-scale work and printing on canvas, T-shirts, wood, metal and glass are all possible with silkscreen. Water-based silkscreen ink is used, allowing for soap-and-water cleanup. Large-scale digital output is available.

Instructor

Sara Varon

Illustrator

Education:

BFA, School of the Art Institute of Chicago; MFA, School of Visual Arts

Books include:

Bake Sale, Chicken and Cat, Chicken and Cat Clean Up, Sweaterweather, Robot Dreams

Clients include:

The New York Times, Nickelodeon magazine, Scholastic, First Second Books, Unicef, Walker Art Center, Roaring Brook Press

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Silkscreen

Course Details
  • Course Number FGC-2433-C
  • Day(s) TH
  • Dates Jun 13 - Aug 15
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description


Silkscreen, one of the most versatile and widely used methods of printmaking, will be fully explored in this course through demonstrations and self-initiated projects. Painters as well as photographers will find a new way of expressing their ideas through screen printing. Images can be made using hand-drawn separations, photographic film, digital separations and photocopied images. Large-scale work and printing on canvas, T-shirts, wood, metal and glass are all possible with silkscreen. Water-based silkscreen ink is used, allowing for soap-and-water cleanup. Large-scale digital output is available.

Instructor

Dominick Rapone

Printmaker, illustrator; founder, Beastly Prints Artist Editions; printshop manager, BFA Fine Arts Department, School of Visual Arts

Education:

BFA, School of Visual Arts

Group exhibitions include:

Adrienne/Adrian’s; Art Directors Club; Visual Arts Gallery; Westchester Gallery; Rubin Museum of Art; Studio 12N; New York Society of Etchers; C.A.M Gallery, Istanbul; Woodward Gallery; Hewitt Gallery of Art, Marymount Manhattan College; Sacred Gallery; Santa Reparata International School of Art, Florence; Pera Museum, Istanbul; Siren’s Song Gallery, Greenport, NY; Herbert F. Johnson Museum of Art, Cornell University; Monmouth Museum, NJ

Publications include:

Fast Company, INC, Stocks and Commodities, The New York Times, Atlantic Monthly, Women’s Health, American Illustration, Tango, The Flag Project, Octet, Visual Arts Journal, Now, 100 Artists of the Mid-Atlantic, Input

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Silkscreen

Course Details
  • Course Number FGC-2433-D
  • Day(s) F
  • Dates Jun 14 - Jul 26
  • Hours 10:00AM - 04:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description


Silkscreen, one of the most versatile and widely used methods of printmaking, will be fully explored in this course through demonstrations and self-initiated projects. Painters as well as photographers will find a new way of expressing their ideas through screen printing. Images can be made using hand-drawn separations, photographic film, digital separations and photocopied images. Large-scale work and printing on canvas, T-shirts, wood, metal and glass are all possible with silkscreen. Water-based silkscreen ink is used, allowing for soap-and-water cleanup. Large-scale digital output is available.

Instructor

Donald M. Sheridan

Printmaker, publisher

PROFESSIONAL EXPERIENCE INCLUDES:

Assistant to Rupert Jasen Smith, master silkscreen printer for Andy Warhol

Represented by:

Dorfman Projects

Artists editions include:

Larry Zox, Dan Christiansen, Larry Poons, Robert Rauschenberg

Artists who have developed work at his studio include:

Judy Glantzman, William Anastasi, Tishan Hsu, Martin Wong, Mark Kostabi, Alfredo Jaar, Christopher Makos, Matthew Weinstein

 

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Silkscreen

Course Details
  • Course Number FGC-2433-E
  • Day(s) S
  • Dates Jun 15 - Aug 17
  • Hours 10:00AM - 02:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description


Silkscreen, one of the most versatile and widely used methods of printmaking, will be fully explored in this course through demonstrations and self-initiated projects. Painters as well as photographers will find a new way of expressing their ideas through screen printing. Images can be made using hand-drawn separations, photographic film, digital separations and photocopied images. Large-scale work and printing on canvas, T-shirts, wood, metal and glass are all possible with silkscreen. Water-based silkscreen ink is used, allowing for soap-and-water cleanup. Large-scale digital output is available.

Instructor

Donald M. Sheridan

Printmaker, publisher

PROFESSIONAL EXPERIENCE INCLUDES:

Assistant to Rupert Jasen Smith, master silkscreen printer for Andy Warhol

Represented by:

Dorfman Projects

Artists editions include:

Larry Zox, Dan Christiansen, Larry Poons, Robert Rauschenberg

Artists who have developed work at his studio include:

Judy Glantzman, William Anastasi, Tishan Hsu, Martin Wong, Mark Kostabi, Alfredo Jaar, Christopher Makos, Matthew Weinstein

 

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Japanese Woodblock Printing

Course Details
  • Course Number FGC-2437-A
  • Day(s) TH
  • Dates Jun 13 - Aug 15
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

The Edo period of Japan was from 1600 to 1860. During this period the Japanese cut off all diplomatic ties with the rest of the western world. As a result of their isolation, the artists and artisans of Japan developed a new and unique way of printing called "moku hanga" (wood printing), which produced an art movement called "Ukiyoe." When these brightly colored prints reached Europe they had a profound affect on western art and culture. The techniques of this printmaking process differ from western printmaking processes because it is entirely water based and non-toxic, similar to a printed watercolor. Students in this class will experience different techniques of printing and be encouraged to create their own art in this medium. Additionally there will be a variety of demonstration on carving, tool sharpening and color printing techniques. This medium of printmaking can also be easily and safely done in your own home with a small variety of hand tools.

Instructor

Christopher T. Creyts

Master printer

Education:

BFA, University of the Arts

Artist collaborations have included:

Helen Frankenthaler, Al Held, Arturo Herrera, Alex Katz, Roy Lichtenstein, Vik Muniz, David Salle, Kiki Smith, Donald Sultan, Richard Tuttle

Prints editions for:

Museum of Modern Art; National Gallery of Art; Walker Art Center; Tate Gallery; National Gallery of Art, Canberra, Australia; Singapore Art Museum

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Monoprint, Woodcut, Linoleum

Course Details
  • Course Number FGC-2454-A
  • Day(s) M
  • Dates Jun 10 - Aug 05
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

This course will explore the richness and graphic qualities of monoprint, linocut and woodcut. These various techniques share a direct method of working, from carving surfaces to painting and drawing images. The use of line, shape and contrast will be emphasized through work in linoleum and woodcut printing. Images will be carved into the block, the surface inked and transferred to paper. Color will be applied using the separation techniques of reduction printing and color overprinting. Monoprints begin with drawing and painting directly on blank plates and transferring the result to paper. Every monoprint created is unique, resulting in large, direct, painterly prints. The different ways of applying color in this technique will be fully explored including color overlays, overprinting and stencil techniques. All processes will be demonstrated and applied through printing sessions and critiques.

Instructor

Dominick Rapone

Printmaker, illustrator; founder, Beastly Prints Artist Editions; printshop manager, BFA Fine Arts Department, School of Visual Arts

Education:

BFA, School of Visual Arts

Group exhibitions include:

Adrienne/Adrian’s; Art Directors Club; Visual Arts Gallery; Westchester Gallery; Rubin Museum of Art; Studio 12N; New York Society of Etchers; C.A.M Gallery, Istanbul; Woodward Gallery; Hewitt Gallery of Art, Marymount Manhattan College; Sacred Gallery; Santa Reparata International School of Art, Florence; Pera Museum, Istanbul; Siren’s Song Gallery, Greenport, NY; Herbert F. Johnson Museum of Art, Cornell University; Monmouth Museum, NJ

Publications include:

Fast Company, INC, Stocks and Commodities, The New York Times, Atlantic Monthly, Women’s Health, American Illustration, Tango, The Flag Project, Octet, Visual Arts Journal, Now, 100 Artists of the Mid-Atlantic, Input

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An Introduction to Letterpress

Course Details
  • Course Number FGC-2459-A
  • Day(s) TH
  • Dates Jun 20 - Aug 15
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

Letterpress is versatile and adaptable, and mixes easily with other printmaking processes. Through hand typesetting vintage metal and wood typefaces, students will gain a broader understanding of typography. Printing blocks and plates range from completely manual, hand-cut and collaged, to digital photopolymer plates. Accurate color registration is simple and easy. The image can range from hard edge to feathered and painterly, and the relief impression adds a third dimension. Operation and maintenance of different kinds of letterpress is included. Sessions begin with a demonstration followed by studio time to work on projects that range from type-based graphic designs to fine art limited editions.

Instructor

Dikko Faust

Hand typographer; letterpress printermaker; founder, Purgatory Pie Press

Exhibitions include:

Harvard University, Cambridge, MA; Victoria & Albert Museum, London; The Metropolitan Museum of Art

Collections include:

Tate Gallery; National Gallery of Art, Washington, DC; Corcoran Gallery; Walker Art Center; New York Public Library; Museum of Modern Art

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Letterpress: Image and Text

Course Details
  • Course Number FGC-2462-A
  • Day(s) W
  • Dates Jun 19 - Aug 21
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Closed
  • Location 133/141 West 21st Street

Description

This course will explore the many image making possibilities available through letterpress printing. Metal and wood type will be used for text; photo-polymer plates, linoleum and woodcuts, collage prints, collagraphs, and even the letterforms themselves will be incorporated for creating images. Students will learn to create photo-polymer plates from digital files, and print using traditional letterpress equipment. Multiple-color printing, pinpoint registration and several easy book forms will be covered.

Instructor

Dikko Faust

Hand typographer; letterpress printermaker; founder, Purgatory Pie Press

Exhibitions include:

Harvard University, Cambridge, MA; Victoria & Albert Museum, London; The Metropolitan Museum of Art

Collections include:

Tate Gallery; National Gallery of Art, Washington, DC; Corcoran Gallery; Walker Art Center; New York Public Library; Museum of Modern Art

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Illustrating Books with Prints

Course Details
  • Course Number FGC-2463-A
  • Day(s) TH
  • Dates Jun 13 - Aug 15
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description

How to use printmaking as a viable approach for illustrating magazines and fine books is the focus of this course. Students will be introduced to basic etching and monoprint techniques, including hard ground, soft ground, aquatint and color printing. Students will be encouraged to select or develop a story and then to illustrate it with the techniques they find most interesting. Artists past and present who used printmaking as an illustration technique will be discussed and studied.

Instructor

Information Coming Soon.

 
 

Copper-Plate Etching

Course Details
  • Course Number FGC-2516-A
  • Day(s) W
  • Dates Jun 12 - Aug 14
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

Developing painterly images through etching is the focus of this course. Students will discover new forms of expression by learning how to build an image through layering. Intaglio techniques, including spit bite, white ground, sugarlift, softground and open bite will be covered. Generating color prints by printing plates using viscosity, monoprint and à la poupée styles of inking will be encouraged. In addition, students will paint on proofs and edition prints with hand-coloring. All processes will be demonstrated and applied in printing sessions.

Instructor

Christopher T. Creyts

Master printer

Education:

BFA, University of the Arts

Artist collaborations have included:

Helen Frankenthaler, Al Held, Arturo Herrera, Alex Katz, Roy Lichtenstein, Vik Muniz, David Salle, Kiki Smith, Donald Sultan, Richard Tuttle

Prints editions for:

Museum of Modern Art; National Gallery of Art; Walker Art Center; Tate Gallery; National Gallery of Art, Canberra, Australia; Singapore Art Museum

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Silkscreen for Illustrators

Course Details
  • Course Number FGC-2531-A
  • Day(s) S
  • Dates Jun 15 - Aug 17
  • Hours 02:00PM - 06:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

This course is for those interested in both silkscreen and drawing. Students will learn the process off silkscreen as well as various methods of making color separations to optimize their drawings for the medium. Starting from hand-drawn and digital images, separation techniques for both opaque and transparent color will be explored. Projects include posters, mini-comics, postcards, T-shirts and zine covers.

Instructor

Sara Varon

Illustrator

Education:

BFA, School of the Art Institute of Chicago; MFA, School of Visual Arts

Books include:

Bake Sale, Chicken and Cat, Chicken and Cat Clean Up, Sweaterweather, Robot Dreams

Clients include:

The New York Times, Nickelodeon magazine, Scholastic, First Second Books, Unicef, Walker Art Center, Roaring Brook Press

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Etching Workshop

Course Details
  • Course Number FGC-3406-A
  • Day(s) T
  • Dates Jun 11 - Jul 16
  • Hours 10:00AM - 04:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description

The many ways of working with traditional and contemporary techniques to create linear, tonal, painterly and photographic images will be explored in this course. Traditional techniques include drypoint for velvety lines, hard ground for pen-and-ink effects, soft ground for crayon and chalk-like lines, aquatint for charcoal-like tones, and white ground and lift grounds for the quality of watercolor. These can be combined on a single plate or with multiple plates to build up the image. Separations for multiple- plate printing will be demonstrated. Inking techniques include black-and-white and color intaglio, surface rolls, viscosity inking, stenciling, and chine collé for added color and texture. Collagraphs, carborundum prints, monoprints, Xerox transfers, embossing and offsetting methods will be shown, along with photo-etching processes in which hand-drawn, painted and photographic images can be transferred to the metal. Print on various papers, canvas, silk and other materials. Create one-of-a-kind prints, editions and artists' books from this versatile, inventive medium. Think it, ink it, print it.

Instructor

Elaine Breiger

Printmaker

Education:

BFA, The Cooper Union

One-person exhibitions include:

Westchester Gallery; Martha Jackson Gallery; Contemporary Gallery, Dallas; Source Gallery, San Francisco; Pace Gallery; Silicon Gallery, Philadelphia; Washington Square Windows; Glaser Gallery

Group exhibitions include:

Boston Printmakers; Francesca Anderson Fine Art, MA; Library of Congress, Washington, DC; Susan Teller Gallery; Luise Ross Gallery; Premio Internazionale Biella per L’Incisione, Italy; SAGA; Smithsonian Institution, Washington, DC; Albright-Knox Art Gallery, Buffalo, NY; Las Cruces Museum of Fine Art, NM; Danforth Museum of Art, Framingham, MA; Pera Museum, Istanbul awards include: National Endowment for the Arts, CAPS

Awards include:

CAPS, National Endowment for the Arts

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Silkscreen Projects

Course Details
  • Course Number FGC-3434-A
  • Day(s) M
  • Dates Jun 10 - Aug 05
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description


This advanced course will concentrate on the use of silkscreen to realize personal projects, print editions, multiples, posters and portfolio pieces. Emphasis will be placed on concept, material choices and craft. The use of hand-drawn, photographic, photocopied and digital color separation techniques will be introduced. Water-based silkscreen ink will be used, allowing for soap-and-water cleanup. Large-scale digital output is available in the printshop. A basic knowledge of silkscreen techniques is suggested.

Instructor

Gunars Prande

Printmaker; director of operations, printmaking, BFA Fine Arts Department, School of Visual Arts

Education:

BFA, MFA, School of Visual Arts; Rochester Institute of Technology

one-person exhibition:

Namba City Museum, Japan

group Exhibitions include:

Pera Museum, Istanbul; Visual Arts Gallery; Galerie Aelier Herenplaats, the Netherlands; New York Society of Etchers; Altos de Chavon, Dominican Republic; Mission Gallery; Bill Rice Gallery; Leo Castelli Graphics Gallery; John Nichols Print Gallery; Bennet Siegal Gallery; Sarah Lawrence College, Bronxville, NY; John Gerstad Gallery

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Silkscreen Projects

Course Details
  • Course Number FGC-3434-B
  • Day(s) F
  • Dates Jun 14 - Aug 16
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description


This advanced course will concentrate on the use of silkscreen to realize personal projects, print editions, multiples, posters and portfolio pieces. Emphasis will be placed on concept, material choices and craft. The use of hand-drawn, photographic, photocopied and digital color separation techniques will be introduced. Water-based silkscreen ink will be used, allowing for soap-and-water cleanup. Large-scale digital output is available in the printshop. A basic knowledge of silkscreen techniques is suggested.

Instructor

Donald M. Sheridan

Printmaker, publisher

PROFESSIONAL EXPERIENCE INCLUDES:

Assistant to Rupert Jasen Smith, master silkscreen printer for Andy Warhol

Represented by:

Dorfman Projects

Artists editions include:

Larry Zox, Dan Christiansen, Larry Poons, Robert Rauschenberg

Artists who have developed work at his studio include:

Judy Glantzman, William Anastasi, Tishan Hsu, Martin Wong, Mark Kostabi, Alfredo Jaar, Christopher Makos, Matthew Weinstein

 

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Textile Printing: An Introduction

Course Details
  • Course Number FGC-3552-A
  • Day(s) W
  • Dates Jun 12 - Aug 14
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Open
  • Location 133/141 West 21st Street

Description

This course is geared toward fine artists, illustrators, graphic designers and emerging fashion designers. Various methods of printing on fabric (from silkscreen to block printing and stencils), step-and-repeat color separation used for bolts of fabric and "engineered" images for pre-made piece goods such as jackets, hats and patches will be demonstrated. Students will use textile inks that are permanent and washable for professional results. Print on canvas, T-shirts or totes, or start your own T-shirt business and know what to buy and where to buy it.

Instructor

Larry B. Wright

Master printer, Larry B. Wright Art Productions

professional experience includes:

Assistant to Robert Rauschenberg; co-founder, art director, WTC News

Represented by:

Keys Gallery

Clients include:

Robert Rauschenberg, Andy Warhol, Joseph Kosuth, Romare Bearden, Larry Zox, Dan Christensen, Larry Poons, Keith Sonnier, Art Spiegelman, David Sandlin, Malcolm Morley, Meyer Vaisman, Donald Baechler, Sarah Charlesworth, David Prentice, Michael Steiner, Michael Goldberg, Al Taylor, Michael Knigin, Leo Castelli Gallery, Fabric Workshop and Museum, Victoria’s Secret (Limited Brands)

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Silkscreen Multiples

Course Details
  • Course Number FGC-3582-A
  • Day(s) W
  • Dates Jun 12 - Jul 24
  • Hours 10:00AM - 04:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location 133/141 West 21st Street

Description

This advanced course will combine silkscreen printing with sculptural concerns to create large scale or three-dimensional mixed media works. Concepts, fabrication and sculptural edition problems will be tested and solved. We will explore tools, materials and methods, along with curating, documentation, and printing on a variety of different substrates such as plastic, metal, textiles and ceramics. Find out about decals, heat forming, embossing, pochoir and three-dimensional printing. Learn about jigs for cutting and drilling. This course is a "hands-on, make-anything" tour de force.

Instructor

Larry B. Wright

Master printer, Larry B. Wright Art Productions

professional experience includes:

Assistant to Robert Rauschenberg; co-founder, art director, WTC News

Represented by:

Keys Gallery

Clients include:

Robert Rauschenberg, Andy Warhol, Joseph Kosuth, Romare Bearden, Larry Zox, Dan Christensen, Larry Poons, Keith Sonnier, Art Spiegelman, David Sandlin, Malcolm Morley, Meyer Vaisman, Donald Baechler, Sarah Charlesworth, David Prentice, Michael Steiner, Michael Goldberg, Al Taylor, Michael Knigin, Leo Castelli Gallery, Fabric Workshop and Museum, Victoria’s Secret (Limited Brands)

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Digital Embroidery

Course Details
  • Course Number FIC-3821-A
  • Day(s) W
  • Dates Jun 12 - Aug 14
  • Hours 06:00PM - 10:00PM
  • Ceus 3.50
  • Cost 470.00
  • Additional Fees 145.00
  • Status Canceled
  • Location To Be Announced

Description

Digital embroidery transforms handcrafted couture into a fine arts medium. Just like a tattoo, where an image is created with color and needles, the embroidered fabric or paper is needle-stitched in colored threads. The image is a sewing file that can be saved and re-sewn as a multiple or repeat pattern. Working on a designer Husqvarna Viking sewing machine with oversize hoops, students will use Husqvarna Viking 5D embroidery software to sew out their original designs. Techniques related to both fashion and the fine arts will be explored.

Instructor

Judith Solodkin

Printmaker; Tamarind master printer; president, Solo Impression Inc.

Education:

BA, Brooklyn College; MFA, Columbia University

Editions printed for collections include:

Tate Gallery, London; Museum of Modern Art; Whitney Museum of American Art; The Metropolitan Museum of Art; Milwaukee Art Museum; Brooklyn Museum of Art; National Museum of Women in the Arts, Washington, DC; Baltimore Museum of Art; Yale University Art Gallery; Bibliothéque Nationale, Paris

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